Showing posts with label comic strips. Show all posts
Showing posts with label comic strips. Show all posts

Wednesday, March 30, 2011

Chester Gould's Early Years of Struggle


Above: a sports feature by Chester Gould. The feature was rejected the same year that TRACY was accepted.

Chester Gould created DICK TRACY. Yeah, yeah, everyone knows that.

But, before that -- before TRACY -- Mr. Gould persisted, enduring rejection after rejection, for a decade, before he hit on what was then called PLAINCLOTHES TRACY.

Mr. Gould took a cartoon correspondence course when he was a teenager. He began submitting cartoons for possible syndication beginning in 1931, while in college.

He did get a job at Hearst's Chicago Tribune a year after graduating from North Western, in 1924, and he cranked out some early efforts, syndicated by Hearst's King Features. The efforts were "uninspired" (to quote Gould himself) with titles like FILUM FABLES (a spoof on the movies) and RADIO CATS. They did not last long.

Why is it some people are driven? Gould was working at the paper, making $100 a week by 1928. He had been married for two years by then. Not a bad living at all! But he was constantly putting new comic strip ideas in front of Hearst: strips with kids, strips with girls, sports strips, even a science strip.

Here are some of his 1920s rejected comic strips.

Above: like most of these strips, this domestic drama featuring a young girl names Sal, has no name. The debt to fellow-Chicago cartoonist Harold Gray is apparent in its layout and subject matter.


The above strip, drawn in a bigfoot style and starring a boastful fellow named Buzzy is static and wordy.

There's a lot o action in this rejected submission which stars a Mister Larkin and his man servant and glaring racial stereotype Halitosis.



Above is a non-fiction strip titled "The World's Notebook."

Why Gould persisted, he only knows. He was comfortable, but he wanted more.

Talent is cheap. Persistence is everything. Gould had talent -- talent enough to be making $100 a week. His persistence for a breakthrough concept paid off.

Mr. Gould would go on to win awards, including the coveted Reuben Award (twice!). The strip, under a new creative team of Mike Curtis and Joe Staton, will see its 70th anniversary this October 4th.

These early strips have, so far as I know, only been reproduced once: in the program book for the 1978 "Dick Tracy: The Art of Chester Gould" exhibit, curated by Bill Crouch, Jr., at the old Museum of Cartoon Art in Port Chester, NY.

My thanks to Charles Green for his "Biographical Sketch" of Gould from that book, from which these samples are scanned.




Related:
DICK TRACY at GoComics.com
200 Characters from Dick Tracy 1931-1977
CIGARETTE SADIE by Chester Gould
DICK TRACY Cards

Tuesday, March 29, 2011

THE COMICS by Brian Walker


THE COMICS: THE COMPLETE COLLECTION
brings together the previously released two volume set (THE COMICS BEFORE 1945 and THE COMICS AFTER 1945) under one cover for $40.

Author Brian Walker writes the history of newspaper comics, with copious samples. If you know Brian and his work, you know this is an excellent book to add to your shelf. I have a number of his books, including his BARNEY GOOGLE and NANCY books.

Some fascinating quotes in this Denver Post interview with Brian, "a man born with cartoon ink in his veins," written by Dick Kreck:

Walker doesn't love all comics. "I did a book on 'Nancy.' I said, 'I hate this strip. It's the same every day.' But I went on an intellectual journey. I just realized it taught me an important lesson: You can be simple and be brilliant at what you do. Ernie Bushmiller (who created the round-faced girl with the spiky hair in 1948) was a very erudite guy. He said, 'My strip is for the gum chewers of the world.' A lot of modern cartoonists think it's the Zen of comics. The ultimate realization after finishing these two books on comics history is that it is so rich and rewarding, even to someone like myself who's been in it my whole life."

Read the rest here.

Friday, March 25, 2011

Video: Chris Browne HAGAR THE HORRIBLE Interview

Mr. Media interviews Chris Browne, who draws King Features' HAGAR THE HORRIBLE (hence Chris wearing the Viking hat). HAGAR appears in over 1900 newspapers in 58 countries and is translated into 13 languages.

Here's the interview, in 4 parts.









Related: the HAGAR THE HORRIBLE hardcover book, collecting 428 dailies from the genesis of the strip 1974 to 1975.

Thursday, March 24, 2011

Video: Jim Henson's WIZARD OF ID Pilot

Here's 4 minutes of a 1969 color TV test pilot of Johnny Hart and Brant Parker's WIZARD OF ID, as produced by Jim Henson.



More background on the project at Jim's Red Book.

Hat tip to Charles Burbaker via Alan Gardner.

That New PEANUTS Special


Have they gone TOO FAR with this new PEANUTS special?!?!

No, just kidding.

The above image is a 1963 parody of Mr. Schulz's runaway best seller by the great Hank Ketcham, from the 17th Annual National Cartoonists Society Reuben Awards newsletter.

Seriously ... there is a new PEANUTS special. But it won't be on TV. Not yet.

From what I have heard, this special is reverently done in the Lee-Melendez style and it's good. I haven't seen it. It comes out, direct to DVD, on March 29, 2011.

Titled HAPPINESS IS A WARM BLANKET, CHARLIE BROWN here is director Andy Beall talking about it and showing some pencils tests via Animation Brew:



The special is longer than the classic ones, 46 minutes, and the DVD has many special features:

  • Deconstructing Schulz: From Comic Strips to Screenplay - How the Peanuts comic strip was made into a special

  • Happiness is...Finding the Right Voice - Meet the stellar new voice cast (Peanuts Specials, for those who may not know, have always employed children actors for the voices)

  • 24 Frames Per Second - Drawing and Animating a Peanuts Special

  • Deleted Scene with an Introduction by Director Andy Beall

Related: the new PEANUTS graphic novel HAPPINESS IS A WARM PUPPY, CHARLIE BROWN from Boom! Studios ships in April. The book is written by original creator Charles M. Schulz, adapted by Craig Schulz & Stephan Pastis, with art credited to Bob Scott, Vicki Scott and Ron Zorman.

Pop Culture Zoo has a preview.

Tuesday, March 8, 2011

1970: More of Roy Crane's Scrapbook


From the dusty pages of Cartoonist PROfiles #6, May 1970, comes "More of Roy Crane's Scrapbook."



Mr. Crane shows and tells about panel composition and, the above case, dramatic angles.


Above: "the Value of Black" in the composition.



The scrapbook was originally put together for Crane's assistant.



A big hat tip to Don Orehek for this issue of Cartoonist PROfiles!

Related:

Cartoonist PROfiles #3 Roy Crane Scrapbook "How to Draw Buz Sawyer"
Cartoonist PROfiles #38 Roy Crane Scrapbook "How to Draw Women"
1968 Visit with Frank King and Roy Crane
Roy Crane" The Rise and Fall of the Comic Strip"

Friday, March 4, 2011

THE FLINTSTONES by Gene Hazelton


Via Comicazys: a whole slew of THE FLINTSTONES Sunday strips by the one and only Gene Hazelton.

Thursday, March 3, 2011

Roy Crane and BUZ SAWYER


From the fifth issue of Cartoonist PROfiles, February 1970: Roy Crane shares more from his scrapbook "How to Draw Buz Sawyer."

This is the second part of the series. The first "How to Draw Buz Sawyer" is here.



From Jud Hurd's into:

"Following are some additional selections from what is in reality a big textbook on how to use the 'Craftint' shading medium effectively. It was prepared originally by Crane as a guide for the use of Roy's artist assistant Hank Schlensker, and was donated by Roy to the Syracuse University Manuscript Collection some years ago."









A big hat tip to Don Orehek for this issue of Cartoonist PROfiles!

Related:

Cartoonist PROfiles #3 Roy Crane Scrapbook "How to Draw Buz Sawyer"
Cartoonist PROfiles #38 Roy Crane Scrapbook "How to Draw Women"
1968 Visit with Frank King and Roy Crane
Roy Crane" The Rise and Fall of the Comic Strip"

Tuesday, March 1, 2011

Roy Crane "The Rise and Fall of the Comic Strip!!"

America has been going to hell in a handbasket since the signing of the Declaration of Independence.

There is no shortage of yellowing, old diary entries, newspaper editorials and books bemoaning that this age will be, once and for all, mark my words, the ever lovin' blue eyed end. OK? Right now. It's all over. The "good old days" are lost.


With this thought in mind, here is master cartoonist Roy Crane, writing "The Rise and Fall of the Comic Strip!!" The comic strip, you see, died in the 1970s; specifically, the December 1973 issue of Cartoonist PROfiles.



Here's the text of "The Rise and Fall of the Comic Strip!!" including a peek into the future of 1983:



1895
  • First Daily Strip
1905-20
  • Joke Era ... daily strips 15" wide (7 Cols.)
  • Full Sunday Page
1920-30
  • Development of continuities into story strips, adventure strips.
1930-40
  • DEPRESSION ... Golden Age of the adventure strip ... ALL THAT SPACE ... wonderful fights, action, BACKGROUNDS!
  • Publishers amazed that circulations doesn't stop. Publishers find readers want to know what will happen next in adventure strips.
  • Throw out the joke strips!
  • Buy MORE adventure strips!
  • Gratitude ... papers kill goose that lays the golden egg, cut dailies to 6 columns.
  • Cut Sundays to 1/2 page and tabloid!
1940-45
  • THE WAR! Comics play a big part. Price of newsprint soars.
  • Cut dailies to 5 columns.
  • Cut Sundays to 1/3 page!
1945-65
  • U.S. Comics in the Louvre ... called ART!
  • Cut dailies to 4 columns.
  • HELP! HELP! They're after the old goose again!
  • Cartoonists in serious trouble! Not enough space for adventure and story strip lads to get characters' feet into pictures.
  • Not enough room for action shots.
  • All strip artists go from 4-picture strip to 3-picture strip!
  • Adventure and story strip guys have 72 fewer pictures to tell 12 week story.
  • Readers squawk!
  • Stories drag!
  • Lose wallop!
  • Gag strips take over market.
  • TV Competition.
  • 1965-73
  • More troubles!
  • Newspaper reduce size of he column which takes another chop out of comics.
  • OFF WITH THE LEGS!
  • Fewer action shots!
1973
  • STRIKES! Shortage of newsprint.
  • They're going after the old goose again!
  • PAPERS GOING TO 3-COLUMN STRIPS!!
  • Yes ... THREE!! And demanding larger lettering!
  • Gag strip fellows draw strip in only one Picture.
1974
  • Papers cut strips to 11/2" deep.
  • NO MORE BREASTS. Only heads are left.
  • Last story strip folds! Last adventure strip!
1975
  • Papers chop comics to 2-columns.
1977
  • Papers chop heads off: leaving only the balloons.
1978
  • Polls show no one is reading bare balloons any longer. Editors wonder why. Last comic disappears.
1983
  • NEW ERA in American Journalism!
  • Editors drop the news!
  • TV blamed!
  • Issues appear twice weekly ... the supermarket special on Thursday, want ads on Sunday.
  • Let us thank God we can still get the news on TV. Also sports, weather, recipes. In fact, EVERYTHING the newspapers carried except the COMICS!




A big hat tip to Don Orehek for this issue of Cartoonist PROfiles!

Monday, February 28, 2011

Roy Crane "How to Draw Buz Sawyer"


"Mix good characters ... action, sex ... into a well-composed picture with blacks, whites and grays. Then with good drawing, good planning, and good luck you should have a pleasing strip."

Roy Crane talks about his work in "Roy Crane and Buz Sawyer" from issue no. 3 of Cartoonist PROfiles, Summer 1969. "The unique quarterly magazine for the professional, the cartoon buff, the student, and all who enjoy cartoons" it's noted under the masthead. This is so early in the history of Jud Hurd's great magazine that he felt obliged to have an explanation on the cover.



Roy Crane shares "How to Draw Buz Sawyer," which originally was part of a scrapbook he donated to the Syracuse University Manuscript Collection. Mr. Crane would continue his series during the early years of Cartoonist PROfiles magazine. (Click here for his "How to Draw Women.")


Roy and Ebba Crane in their home in Orlando, Florida.

He describes the work and pressure of coming up not only with the story, but maintaining the quality, cramming drawings "with endless detail of aircraft carriers, planes and flight gear, all of which had to be done accurately, or the new strip would would fail to gain a sense of reality and prestige."

And, yeah, he talks about "The Reason for Benday."

Below is the article, in its entirety, which begins with "Damn Sunday pages!"







A big hat tip to Don Orehek for this issue of Cartoonist PROfiles!

Thursday, February 24, 2011

1968 Visit with Frank King and Roy Crane


Jud Hurd, writing for the June 1968 Cartoonist Magazine, visits the home of Frank King in Florida.



We also get to see the many cartoonist neighbors: Roy Crane (above), Bill Perry, Mel Graff, Dick Moores, Les Turner, Kate Osann and more. Jud relates dines with them and visits their studios in what seems like a lovely time.



My thanks to Don Orehek for this issue of The Cartoonist.

Wednesday, February 23, 2011

Brian Crane: "Popular PICKLES Captures the Humanity of Humans"

Above photo of Brian Crane by Kristin Murphy for the Deseret News.

From The Mormon Times article "Popular PICKLES Captures the Humanity of Humans"by Carma Widely:

"'It's a tough field to break into, a tougher field to succeed at,' Crane said. 'Many strips don't last more than a few years.'

"...Twenty years later, Earl and Opal Pickles are still going strong. The strip currently appears in more that 700 newspapers and is heading toward 800. Though most readers are in the United States and Canada, 'Pickles' has appeared or does appear in South Korea, Australia, India, Aruba, England, Singapore and the Middle East."

Thursday, February 17, 2011

Tour George Herriman's New Orleans



Big hat tip to Potrzebie!

Monday, February 7, 2011

Video: Lynn Johnston Interview

An interview with the creator of FOR BETTER OR WORSE, Lynn Johnston. The interview is sponsored by Schoolism. For more interviews, please visit Sketchoholic.











Wednesday, February 2, 2011

1944 George Herriman Profile: "All House-painters Aren't Hitlers"


Yesterday's Papers transribes a heartfelt recap of George Herriman's career, six days after his death on April 26, 1944 by "non-alcoholic cirrhosis of the liver."

"All house-painters aren't Hitlers. George Herriman, who died in California the other day, was once a house painter, and a kindlier soul never lived. However, after falling off a ladder and spilling a bucket of paint over himself, he decided he’d rather be a cartoonist and deal with smaller quantities of coloring matter". - The Windsor (Ontario) Daily Star, 1 May 1944.

The rest is here.

Related: Clizia Gussoni's bio of Mr. Herriman from GeorgeHerriman.com

Tuesday, February 1, 2011

Podcast: The Legacy of Charles Schulz


The Legacy of Charles Schulz aired on Southern California Public Radio station KPCV yesterday, January 31, 2011. Featuring guests Jean Schulz, Nat Gertler and Kevin Drabble, the talk focused on the influence of Mr. Schulz' strip, and Mr. Gertler's new book THE PEANUTS COLLECTION.