Wednesday, September 30, 2009
DISNEYLAND DAY!
Tom Gammill Visits THE NEW YORKER Part 2
This is #22 of Tom Gammill's "Learn to Draw" series. Of course, you don't really "Learn to Draw." You just laugh. These are funnier and funnier.
Robert Goodin's COVERED Blog
Thanks to Sam Henderson, I just discovered the Covered blog. This high concept blog, run by Robert Goodin, showcases contemporary cartoonists reimagining old comic book covers, drawing them in their own style.
"The intention of Covered is to feature a wide variety of artists redoing comic covers in their own style. Artists can come from any field: cartoonists / comic artists (both from the mainstream and the independent fringes), illustrators, animators, graphic designers, photographers, sculptors, etc. and be both well known or up and coming."Take a look!
CAPTAIN AMERICA #2. Cover by Joe Simon; Marvel Comics, 1941. Danny Hellman's website is here.
Tuesday, September 29, 2009
BIRTHDAY THANKS!
PERSONAL POWER
Video: Keith Knight's Controversial Cartoon UPDATED
I agree with Lloyd Dangle that an entire school misses the point of Keith Knight's cartoon.
Link to The K Chronicles "Why the attacks against Obama couldn't possibly be racially motivated" by Keith Knight
Local TV 33 news story and video here.
UPDATE: Keith Knight's Official Statement
Monday, September 28, 2009
KING LEONARDO - GOLD KEY COMICS
The Brainstormer by Andrew Bosley
Go and play!
Thanks to Andrew Bosley for making such a thing.
And thank you to Sean Kelly for letting me know about it. Thanks, Sean!
FOR THE STREETS
Video: Jack Davis and Nick Meglin UPDATED
From this past weekend's National Cartoonists Society Southeast Chapter weekend festival (and there promises to be more video to come) - EDIT: here are all the Jack Davis/Nick Meglin videos so far:
Hat tip to Brian Vasilik for all of this. Thanks, Brian.
Happy 100th Birthday, Al Capp
Al Capp deserves a tribute so writes the editor of the The Daily News (Newburyport, MA). I agree. LI'L ABNER was one of the most popular strips of the 20th century and nearby Amesbury, MA was (and this was news to me) Al Capp's adopted home.
He died in 1979 and is buried in Amesbury, his adopted home. There are a handful of specific locations directly connected to his life in Amesbury and neighboring South Hampton, but nowhere is there any sort of public acknowledgement [sic] to his life. That ought to change.
Smart, sarcastic, caustic, witty — Capp was a complicated man who tried to reflect the world around him through his comic strip. In the midst of the Great Depression, the young and talented cartoonist struggled to find his footing in the cartoon business before finally launching L'il Abner in 1934. The cartoon was an immediate hit. At its height, some 900 newspapers carried it, and it's estimated that the peak audience was somewhere around 60 million — at a time when the nation's population was a little over twice that number. Even today it is considered by critics to be one of the greatest comic strips ever drawn.
Capp had lost a leg at the age of nine due to a trolley accident. (MY WELL-BALANCED LIFE ON ONE WOODEN LEG was the title of his autobiography.) This did not impede his ambition.
Above: Al Capp's grave in Amesbury, MA via findagrave.com. Photo by bosguy.
Al Capp was, to put it mildly, a polarizing personality. There was, during that time, a TV special (THIS IS AL CAPP) as well as a long playing record -- all about Al Capp the right-wing crusader.
The editor goes on to quote Frank Frazetta:
Frank Frazetta, a friend and famed science fiction artist whose works included many of the most iconic movie posters of our time, described Capp as "exasperating, infuriating, domineering, obnoxious, loud, lots of fun, acidic and lovable."What the editor does not reveal (or simply is unaware) is that Frazetta was an employee of Capp's; a ghost on LI'L ABNER, producing perhaps the sexiest comic strip women ever from 1954 to 1961. According to FRAZETTA: PAINTING WITH FIRE, when Capp moved his studio to the coast, he insisted Frazetta uproot his family from their New York home and follow him -- at a reduced pay rate, no less. Frazetta refused.
Life was on Capp's terms. When he was just starting out, Capp assisted cartoonist Ham Fisher on his popular JOE PALOOKA strip. When Capp left Fisher's studio to go it alone, creating the LI'L ABNER strip, Fisher accused Capp of stealing the idea from the PALOOKA strip. The feud went on for 19 years, reaching great heights of hysteria, and went public in the 1950s.
From the ASIFA Capp bio:
JOE PALOOKA creator Ham Fisher and Al Capp waged a famous feud for years. It finally came to a head when Fisher "doctored" photostats of LI'L ABNER in order to make its panels appear pornographic. Fisher promptly accused Capp of indecency, and attempted to have him expelled from the National Cartoonists Society. An ensuing lawsuit revealed Fisher's duplicity, and culminated in Fisher's expulsion from the NCS instead. (Fisher subsequently committed suicide in 1955.)Here's some video of Al Capp:
If you have never seen it, here's Al Capp with John Lennon and Yoko Ono from their 1969 "bed-in" for peace from the CBC archives:
Al Capp's granddaughter Caitlin Manning shares her documentary work in progress (which is a great introduction to the influence of LI'L ABNER and includes some old film of him drawing):
"He doesn't put his best foot forward, always, but what foot he does put forward is one of his own," says his friend Walt Kelly in the opening for the THIS IS AL CAPP TV special. And maybe that's the beast way to leave things for today, the 100th birthday of the one-of-a-kind creator of the Schmoo, Fearless Fosdick and Kickapoo Joy Juice, to name a few.
Hat tip to Journalista! for The Daily News link.
Video: Charles Addams on CBS Sunday Morning (1994)
According to the YouTube poster, mittdawson, the segment originally aired on host Charles Kuralt's final show, April 3, 1994.
Related: The Addams Family Musical begins previews in Chicago next month.
Sunday, September 27, 2009
SOUL SUNDAY
Couple weeks ago we brought you Teena Marie, you need to go get her greatest hits. She was discovered by Rick James and here is the Ballad they did together and it stands on its own today.
Who do you think the Rick James and Teena Marie of today are?
TOP CAT
Saturday, September 26, 2009
Who wants to go first?
TRAILER OF THE WEEK
SCOOBY-DOOBY-DOO!
Friday, September 25, 2009
WALLOPIN' WEBSNAPPERS!
Thursday, September 24, 2009
YVONNE CRAIG - TV's BATGIRL!
LESLIE's PAUL McCARTNEY SKETCH CARD
Be Right Back ....
-- Mike
http://mikelynchcartoons.com/
Wednesday, September 23, 2009
MARVEL SUPER-HEROES ARE ON TV! - SKETCH CARDS
Rob Rogers' G-20 Sketchbook
Follow Pittsburgh Post-Gazette editorial cartoonist Rob Rogers as he riffs on the upcoming G-20 summit held in Pittsburgh.
And don't forget that if you're in Pittsburgh, see the Drawn to the Summit editorial cartoon gallery show at the Andy Warhol Museum, thru October 18, 2009. Rob co-curated the exhibition with art historian Sylvia Rhor.
Except don't go tomorrow. The Museum, along with a lot of most other places in The Berg, is closed for the G-20 Summit on Thursday.
Monetizing Your Cartoons
When I began magazine cartooning, it was simple: go to the newsstand, look at a couple of issues, and mail some cartoons they might like. Keep doing it for a couple of months. If they buy, they have a set price they pay.
And, after a while, I had sold some cartoons, but there were still other cartoons, sitting in a pile, unsold. They had done the rounds, and been rejected. How do you turn them into money?
I went to the downtown Brooklyn Business Library to see what kind of business publications they had. An amazing selection! There was a magazine for and about board members. I had cartoons about board members. There was a magazine for veterinarians. I had dog and cat cartoons.
So, I started a new challenge for myself: I sent cartoons to magazines that did not use cartoons at all.
Sure, most of the time I was wasting my time and postage. (Yeah, I mail my submissions on paper. I still do to cold markets.)
Some of the publications were interested, and some wanted to buy. And the editors asked what I would charge.
What is the value of your cartoon?
Well, of course, decide if you will work for free. Will you give away your cartoons? If so, then you know your answer is that you will work for the exposure.
If you give your cartoons away for free, you will not make a living as a cartoonist. There are many talented people out there who are giving away their work on the Web, and most of them have to work full-time in jobs other than cartooning.
I show my cartoons for free on my Web site. I think this is just normal business. It doesn't bother me if someone wants to copy one of my cartoons for their friends. But it's wrong if a publication (print or Web) thinks they can just grab a cartoon for free content.
So, when editors asked about my rates, I decided I would not work for free. I want to be a real, working cartoonist. I had a minimum set in my head and if they balked, then I would walk away. This isn't posturing, this isn't being unrealistic. This is me making a living.
If an editor says,"We are looking for free content."
I tell them, I can't afford to give away my work for free.
Sometimes, I lose the client. And the client is worth losing, since they do not recognize that cartoons -- along with the freelance writers, the designers, the photographers -- everyone contributing to the content of a publication -- deserves to be monetized.
- This is an edited version of a January 28, 2009 entry.
Tuesday, September 22, 2009
Billy Blackburn's Rare Home Movies
"They would pan past me to Shatner," he says. As soon as I saw his face, I recognized him as one of the stock background actors in the series.
And stock is right. He started as DeForest Kelley's stand in, and then one day was told to sit in the navigator's seat on the bridge. "That was before Chekov," he reminds us. He played a Gorn, an Organian, a NASA employee -- to name a few. And he always carried an 8mm or Super 8 film camera with him. It was only in the past few years that Blackburn chose to share these behind the scenes, candid movies of the original (The Old Show) STAR TREK cast and crew. I remember reading about it a few years ago and I saw a few stills. Amazing stuff. And even more amazing how well they were cleaned up and presented.
The movies were spliced together as an extra to the CBS TOS DVD set. Here they are.
Season 1 Part 1
Season 1 Part 2
Season 2 Part 1
Season 2 Part 2
Season 3 Part 1
Season 3 Part 2
KEEP IT SIMPLE!
BATMAN TV GUIDE ARTICLES
BATMAN POSTCARD
Steve Brodner: Baltic Amber
Illustrator Steve Brodner shares photos and sketches from his recent European trip.
I love on-the-spot sketches. I'm grateful that Steve took the time to share them with us. Thanks, Steve! Looks like a wonderful trip!
2009-10 Association of American Editorial Cartoonists Officers Announced
Via the AAEC Web site:
President: Rex Babin
President-Elect: Steve Kelley
Vice President: Mikhaela Reid
Secretary-Treasurer: V. Cullum Rogers
Directors: Mark Fiore, Jeff Parker, Mike Thompson
Ted Rall will also serve on the 2009-2010 Board as Immediate Past President
AAEC members also voted overwhelmingly (62 to 4) for an ethical guideline to be added to its bylaws, stating that
the act of appropriating another creator's work as one's own. If a member is accused of a clear and brazen act of plagiarism, the Board may act to permanently or temporarily suspend his or her membership.
Drawing the line between cartoonists outright stealing other cartoonists' work and what Daryl Cagle calls "Yahtzee" cartoons (when editorial cartoonists come up with the same idea simultaneously) may be difficult to police.
Popular opinion might be that its plagiarism when, for instance, more than one cartoonist draws Ted Kennedy playing touch football in heaven with Bobby and Jack. I may have seen about a half dozen of those; also: Ted waving goodbye from his sailboat silhouetted against the setting sun. But this is a coincidence, not plagiarism. The cartoonists just had the same idea on the same day.
One of the challenges with of coming up with a good cartoon is avoiding the low-hanging gag; the funny idea that could easily occur to another cartoonist. The challenge is to be a better, cleverer writer.
That's a good guideline to aim for any day.
Hat tip to Journalista!