Thursday, March 18, 2010

Video: All Star Trio "Fluffy Ruffles" (1919)


The All Star Trio. Image nicked from Greensmusic.com.

Above, on the left, is George Hamilton Green (1893-1970), who began life as a successful musician -- and ended up being a cartoonist. A successful cartoonist, or so I am led to believe.

Before he became a full-time cartoonist, George composed and played music. He and his brothers provided the score for a couple of the first Mickey Mouse animated shorts, including "Steamboat Willy." He recorded thousands of pieces, before leaving the music scene shortly after the death of his older bother Joe Green (1892-1939) due to complications from an operation. He lived in Woodstock, NY, working as a full-time cartoonist, until his own death in 1970.

While I couldn't find any samples of his drawings online, I sure did like this old timey 1919 jazz piece he composed titled "Fluffy Ruffles." Here, he plays his signature xylophone with Wheeler Wadsworth (sax) and Victor Arden (piano). Together, they were the All Star Trio.



George Hamilton Green (1893 - 1970) composed many songs that he recorded as a solo artist and with others, including "Fluffy Ruffles." George and his younger brother, Joe played marimba, vibtraphone, harpaphone, bells, and chimes. In 1914, George entered vaudeville and within a year he earned such titles as "World's Fastest Xylophonist" and "Speed King of Xylophonists." By late 1916 he was a member of Earl Fuller's Rector's Novelty Orchestra as well as a vaudeville and concert artist. He began recording in 1916 and most of his early pieces were classical and semiclassical. In 1918 he joined pianist Victor Arden and saxophonist Wheeler Wadsworth to form the All Star Trio. In 1920 he joined his brother and formed the Green Brothers' Novelty Band which also recorded for Victor. Throughout the 1920s they made discs as the Green Brothers' Xylophone Orchestra, Xylophone Band, Novelty Orchestra, Marimba Orchestra, and even Mellorimba Orchestra. Later in life he wrote many musical instruction manuals on various percussion instruments but made his living as a cartoonist. In 1983 he was inducted into the Percussive Arts Society Hall of Fame. He was an important ragtime composer and authored many pieces that remain standards for the instrument even today.

ARCHIVES

Here is a piece from the archives from a client who wanted to get a spiritual quote to start off his sleeve.
"The Lord Ponders The Heart"

National Cartoonists Society Nominees





Art by Patrick McDonnell

From the NCS Web site:

The nominees have been selected for the 64th Annual National Cartoonists Society Reuben Awards. The winners to be announced Memorial Day Weekend at the Reuben Awards dinner.

THE REUBEN AWARD
Stephen Pastis
Dan Piraro
Richard Thompson

National Cartoonists Society Division Awards:

TELEVISION ANIMATION
Kevin Deters - “Walt Disney Prep and Landing”
Mike Gray - “The Infinite Goliath”
Seth McFarlane - “Family Guy”

FEATURE ANIMATION
Ronnie del Carmen - Storyboard Artist - “Up”
Tomm Moore - Director - “The Secret of Kells”
Barry Reynolds - Character Designer - “The Secret of Kells”

NEWSPAPER ILLUSTRATION
Bob Rich
Tom Richmond
Robert Sanchuk

GAG CARTOONS
Glenn McCoy
VG Myers
Dave Whamond

GREETING CARDS
Glenn McCoy
Kieran Meehan
Debbie Tomassi

NEWSPAPER COMIC STRIPS
John Hambrock - “The Brilliant Mind of Edison Lee”
Wiley Miller - “Non Sequitur”
Jerry Scott & Jim Borgman - “Zits”

NEWSPAPER PANEL CARTOONS
Dave Blazek - “Loose Parts”
Tony Carillo - “FMinus”
Hilary Price - “Rhymes with Orange”

MAGAZINE FEATURE/MAGAZINE ILLUSTRATION
Ray Alma
Anton Emdin
Tom Richmond

BOOK ILLUSTRATION
Lou Brooks - “Twimericks”
Tom Richmond - “Bo Confidential”
Dave Whamond - “My Think-A-Ma-Jink”

EDITORIAL CARTOONS
Nick Anderson
Rob Rogers
John Sherffius

ADVERTISING ILLUSTRATION
Steve Brodner
Randall Enos
Mort Gerberg

COMIC BOOKS
Terry Moore - “Echo”
Paul Pope - “Strange Adventures”
JH Williams - “Detective Comics”

GRAPHIC NOVELS
David Mazzucchelli - “Asterios Polyp”
Seth - “George Sprott”
David Small - “Stitches”

A personal thanks from me, the NCS Awards Coordinator for this year, to all of the participants -- the professionals who entered and their colleagues who voted.

Wednesday, March 17, 2010

Happy St. Patrick's Day


Above wonderful drawing is by the one and only Don Orehek! But you can call him Donny O'Rehek for today, OK?

Sure, Don is Slovenian, but on March 17th, we're ALL Irish!

Thanks, Don, for this wonderful piece of art!

Video: Richard Thompson Draws

Richard Thompson draws Alice Otterloop from his CUL DE SAC comic strip in this sped-up video (with Beethoven music!). This is filmed by Chris Sparks.



Looks like Richard is using a Micron Pigma pen, by the way.

Top 10 TV and Movie Doctors


UK pollsters OnePoll released their results for the top 10 most recognized doctors from the screen (movie or TV). Hat tip to Chuck Foster at the Doctor Who News Page.

The Top Ten Screen Doctors:

1.The DoctorDoctor Who
2.Doc BrownBack to the Future
3.Doctor KennedyNeighbours
4.Doctor EvilAustin Powers
5.Spock(!)Star Trek
6.Ross GellerFriends
7.Doctor DolittleDoctor Dolittle
8.Perry CoxScrubs
9.Douglas RossE.R.
10.Doctor WatsonSherlock Holmes




Above: Dr. Theopolis, from the 1970s TV show BUCK ROGERS IN THE 25th CENTURY. Not on the list.

Surprising to not see British thespian Hugh Laurie's Dr. House on the roster. Ditto Doc Savage, Dr. Hannibal Lecter, Dr. Jekyll, Dr. Strangelove, Dr. Zaius, Dr. Leonard McCoy (although Spock gets on the list -- go figure!), Dr. Frasier Crane, Dr. Bob Hartley, Dr. Huxtable and even Doogie Houser, M.D. Note: "Neighbours," an Australian program, is a long running and popular soap opera in the UK.

Video: Rob Rogers "No Cartoon Left Behind"



On March 6, 2010, the Carnegie Mellon University's Center for the Arts in Society hosted "How a Cartoonist's Brain Works," a lecture by the award-winning editorial cartoonist for the Pittsburgh Post-Gazette, Rob Rogers.

In this 39 minute video, Rogers, who received his master's degree in fine arts from Carnegie Mellon in 1984 and was a Pulitzer Prize finalist in 1999, discusses his book, "No Cartoon Left Behind: The Best of Rob Rogers," published by Carnegie Mellon University Press.


Despite Rob being in the dark for the first minute of the presentation, this is a talk worth a look. Rob shows a very early cartoon (drawn for his Dad), where he gets ideas, the difference between cartoonists and editors, why he didn't become a successful doctor like his Dad, etc. I was laughing our loud at a lot of his art, drawn specially for this presentation. A funny and insightful lecture by one of the best editorial cartoonists.

Related: "'Those Damn Pictures:' Rob Rogers in Historical Perspective"